By night, the beds have dropped down
              from the ceiling and someone gets to sleep in the upper
              bunk. Personal reading lights are available with all the
              sleeping accommodation we have examined so far.
              
              
              The Park Car and its Dome
              
              The Park Car was designed to be the signature car of the
              train. Its round "boat-tailed" end came complete with an
              illuminated translucent "drumhead" which proudly displayed
              the train's name and the CPR crest by night.
              
              The Park Cars were named after some of Canada's National
              and Provincial Parks - particularly those served by the
              CPR.
              
              A Park Car had a poorer domed sibling named a "Skyline"
              car, with a snack bar tucked under its dome. The Skyline
              was marshaled between the "U" Series and the coaches.
              Referred to by a 3-digit
              number only, and having neither boattail nor drumhead, the
              Skylines
              sadly realized that the Park Car was the CPR's favoured
              dome in each trainset.
              
              In the diagram below is a Park Car floorplan. Left to
              right : there were a few bedrooms; the Mural Lounge (with
              the domed
              observation area located upstairs and directly over it) ;
              and a
              lounge in the boattailed end of the car. 
            
             
              
             
            
            
             Here is an illustration showing a happy 1950s group in
              a dome. 
            
            
 
             
            
             It was good to have the air conditioning as the dome
              could turn into quite a little greenhouse on a sunny day.
              Some sources suggest the relatively small size of the dome
              was designed to match the capacity of the air conditioning
              equipment. Leaving Calgary for the mountains it was always
              full.
              
              By night, early versions of The Canadian had
              locomotive-top spotlights which pointed up and ahead to
              illuminate mountains for the dome passengers. Unlike
              freights, the trains were often short enough that you
              could watch from the rear dome as the headend "knocked
              down" the
              clear signals as it passed them.
              
              In addition, locomotives were equipped with two steel bar
              "icebreakers" to knock down large tunnel icicles before
              they took
              out the front glass of the Skyline dome - and probably the
              passengers
              up there as well.
              
              
              Below is an interior view of the Park rear lounge area.
              The seat arrangement was conducive to relaxed conversation
              - especially
              as there was a bar nearby. The rounded car end gave
              passengers a good
              wide view of the local geography. If you were so inclined,
              the rear
              window was excellent for taking photos of the technical
              aspects of the
              track and railway facilities. The heavy ashtrays shown
              lasted for decades
              and decades. 
            
            
 
             
            
            
             Here is an illustration of the
                Mural Lounge bar area displaying the trainset's most
                prestigious feature -
                and no, it's not the guy with the pipe :
              
            
            
            
            It's the mural ! ...
                "covering two walls, signed by a member of the 
                  Royal Canadian Academy of the Arts
                ". 
                You can see that calling the train "The Royal Canadian"
                would have fit in well with the mural in the signature
                car.
              
            
              
              In real life, the Mural Lounge was a little more cramped
              than it was "intimate as an exclusive club"
              as the brochure stated.
              
              Let's explore the layout:
            
            
               
              - The 
train gigolo distinguished
                  gentleman with
                  the pipe is walking from left to right, approaching
                  the bar entrance and
                  the boattail lounge area.  
               
              - He is looking through the decoratively etched
                  glass enclosing the Mural Lounge.
 
               
              - The far, dark scene with the crescent moon is the
                  view out the window on the right side of the
                  car. There are three windows
                  on that side wall of the Mural Lounge - around which
                  the mural must flow.
 
               
              - The mountains, blue sky, clouds and trees are
                  part of the aforementioned mural.
 
               
              - The mural pictured here does not match any of the
                  particular murals actually placed in these cars.
 
               
            
            
              This is how they got the murals done:
              
            
               
              - Armed with samples of the interior decorating
                  materials to be used inside the cars, a member of the
                  Canadian Pacific's design department contacted the
                  President of the Royal Canadian Academy of the Arts.
 
               
              - The President, in turn, contacted individual
                  artists to canvass - sorry - for interest in
                  the CPR commissions.
 
               
              - Each mural was to depict the park after which
                  each car was named.
 
               
              - Each artist was to produce a mural
                  ...  for
                  the solid wall shown above and around the three
                  windows' worth of
                  wall on the right side. 
 
               
              - After completion of a satisfactory preliminary
                  rendition, the CPR furnished the final materials, cut
                  to the appropriate dimensions.
 
               
              - Completed mural canvases were glued to metal
                  plates, which were rivetted to the cars.
 
               
              - In addition, each artist was to produce a
                      map panel showing: 
 
               
              
                 
                - The park's location in Canada.
 
                 
                - A map of the park. 
 
                 
                - Around the edges of this panel : animals and/or
                    people doing
                    their usual thing inside the park.
 
                 
              
               
              - One source reveals that one artist was paid $1400
                  in 1954 dollars for his work.
 
               
              - This was all done under tight time constraints as
                  the whole mural project was completed in about one
                  year.
 
               
            
            
               Who participated? 
            
            
              
                
                  Algonquin Park 
                     | 
                  A.J.
                          Casson 
                     | 
                
                
                  Assiniboine Park 
                     | 
                  Franklin Arbuckle 
                     | 
                
                
                  Banff Park 
                     | 
                  Charles Comfort 
                     | 
                
                
                  Evangeline Park 
                     | 
                  Leslie Smith 
                     | 
                
                
                  | Fundy Park | 
                  Lawren Phillips Harris 
                     | 
                
                
                  Glacier Park 
                     | 
                  Adam-Sheriff Scott 
                     | 
                
                
                  Kokanee Park 
                     | 
                  A.Y.
                          Jackson 
                     | 
                
                
                  Kootenay Park 
                     | 
                  George Pepper 
                     | 
                
                
                  Laurentide Park 
                     | 
                  Albert Cloutier 
                     | 
                
                
                  Prince Albert Park 
                     | 
                  Fred Finley 
                     | 
                
                
                  Revelstoke Park 
                     | 
                  R.W. Pilot 
                     | 
                
                
                  Riding Mountain Park 
                     | 
                  William Winter 
                     | 
                
                
                  Sibley Park 
                     | 
                  Yvonne Housser 
                     | 
                
                
                  Strathcona Park 
                     | 
                  W.J. Phillips 
                     | 
                
                
                  Tremblant Park 
                     | 
                  Edwin
                          Holgate 
                     | 
                
                
                  Tweedsmuir Park 
                     | 
                  E.J. Hughes 
                     | 
                
                
                  Waterton Park 
                     | 
                  L. Petely-Jones 
                     | 
                
                
                  Yoho Park 
                     | 
                  Harold Beament 
                     | 
                
              
            
            RED: "Group
                      of Seven" Member
                
             
              The Group of Seven began as a
                  group of seven Canadian artists who held their first
                  exhibition together in Toronto
                  in 1920 as an organization of self-proclaimed modern
                  artists. They felt
                  they represented a new, more independent, Canadian
                  approach to painting
                  - particularly in their paintings of Canadian
                  landscapes.
                  
                  On a number of occasions, the CPR supported their
                  efforts to paint remote Canadian landscape subjects
                  along the CPR route. It was after such a trip in 1921
                  to paint along the stark east and north shores Lake
                  Superior that Lawren Harris (Senior - the father of
                  the artist who painted the Fundy Park mural) developed
                  his characteristic style of using radically simplified
                  colour and painting layouts. A few other artists were
                  invited to join before the group disbanded in 1933.
                  
                
            
                From a trip I took in 1979, you can see the map panel
                for Kootenay Park to the right of the stairway to the
                dome. This photograph is taken from the boattail lounge
                of the Park Car and the Mural Lounge is behind the map
                panel's bulkhead. At this point, the murals and maps had
                been cigarette-smoked and vibrated back and forth across
                Canada for
                25 years. Notice the indestructible ashtray.
               
            
            
             In the early 1980s, VIA Rail removed the murals
                from the cars and attempted to restore them. VIA
                sponsored a short travelling exhibit of some of the
                murals. We drove to Welland, Ontario to see a number of
                them on display around this time.
                
              
            
              
            Let's close the knuckles,
                  connect all the air hoses,
                  make the steam connections,
                  plug in the PA wires,
                  and see what we get.
                   
                  
                  
                
             We get nice publicity shots
                  like this in the Bow Valley!
              
            
            
 
              
                  
                In this early CPR
                      publicity photo of The
                          Canadian, you can see:
                    
                
                  
                  
                  
                  
                    
                  Conservatively
                          choosing proven locomotive and
                          rolling stock designs, 
                          in 1953 the CPR quickly developed a daily
                          transcontinental train,
                          using modern passenger equipment which was
                          unique in Canada. 
                          
                          It faced the formidable competition of postwar
                          air travel 
                          and the increasing popularity of the
                          automobile for long distance journeys.
                          
                          To encourage Canadian and overseas tourists to
                          ride The Canadian, 
                          the CPR promoted the equipment's features, 
                          the quality of its onboard service,
                           and the picturesque areas of Canada
                          which it served.
                          
                          Distinctive Canadian art was commissioned by
                          the CPR to decorate the train 
                          and equipment names were intended to recall
                          450 years of Canadian history.